Mr Trump is a failed President even before taking office. He’ll have to answer to the pitchforks and patarini who elected him sooner than later.
His fate depends on what motivated the Deplorables. If they were motivated by the prospect of manufacturing jobs returning in mass numbers to the US, their belief will be shattered. However, if they were motivated by identity politics (i.e., misogyny, xenophobia, and racism), then their faith will be fully rewarded by Trump’s Presidency.
There are pockets of reason and enlightenment strewn over a landscape of inbred cultural backwardness. Radical cosmopolitans must stand up and say no to ignorance and cultural backwardness, whenever and wherever revanchist populism surfaces.
There are also historical precedents for the Trump-Farage-Le Pen-Petry phenomenon. Cola Di Rienzo, Savonarola, Luther, and Robespierre attempted to channel the anger of “the people” towards various political ends. They lost control (the Peasants’ War of 1524-25, which was crushed with Luther’s help) and lost their lives in the process (Savonarola, Cola, and Robespierre).
Along with foraging, scavenging will become a way of life under the twin forces of Brexit and Trump.
Fighting gentrification is like fighting gravity.
From an aesthetic point of view, film has no necessary relationship to reality. The more unreal film is, the better.
Bob Dylan will not attend the Nobel Prize ceremony. Perhaps he has nothing to say.
The Trump campaign circus is now the Trump transition team circus.
The Nigel Farage power play came to naught. He remains a right-wing carpetbagger sans portfolio.
The new antisemitism will be directed by the alt-right guru who will take up residence in the office of the White House chief of staff.
Rather than “draining the swamp,” Mr Trump is filling it with his own children and his childish twitter bile.
The (failed) materialist assumption is that people who flock to Farage, Le Pen, Trump, and the AfD are responding to economic conditions. In reality, they are simply politicizing the culture of hate that is part of their traditional way of life. What needs rethinking is the state of the cultural conflict between the forces of reason and enlightenment and the forces of petty revanchism and historical backwardness.
It is a platitude that art becomes caviar to the general when the reality it imitates no longer corresponds even roughly to the reality recognized by the general. Even then, however, the resentment the common man may feel is silenced by the awe in which he stands of the patrons of this art. Only when he becomes dissatisfied with the social order they administer does he begin to criticize their culture. Then the plebian finds courage for the first time to voice his opinions openly. Every man, from the Tammany alderman to the Austrian house-painter, finds that he is entitled to his opinion. Most often this resentment toward culture is to be found where the dissatisfaction with society is a reactionary dissatisfaction which expresses itself in revivalism and puritanism, and latest of all, in fascism. Here revolvers and torches begin to be mentioned in the same breath as culture. In the name of godliness or the blood’s health, in the name of simple ways and solid virtues, the statue-smashing commences.
Clement Greenberg, “Avant-Garde and Kitsch” , The Collected Essays and Criticism, Volume 1: Perceptions and Judgments, 1939-1944 (Chicago: University of Chicago Press, 1988), 18-19.
From a political standpoint, it is time to stop romanticizing today’s American “working class.” It is time to drop the noble savage imagery and face the reality is that it is a class that fully embraced the “values” of misogyny, racism, and xenophobia displayed in Mr Trump’s campaign. This embrace reflects the degraded state of working class cultural values (in the old days, it might have been characterized as a “culture of poverty”). Mr Trump made these values a centerpiece of his campaign and he was rewarded by the massive support of this electoral demographic. Consequently, right-wing identity politics is no longer distinguishable from working class identity politics.
Mr Trump is the champion of the characters who populate “dirty realist” American novels. Carver country is Trumpland.
Mr Assange is releasing the emails as soon as he receives them from the Russians.
People were never lonely before neoliberalism.
One can carbon date the beginning of neoliberalism precisely: the recording of the Beatles’ “Eleanor Rigby.”
Brexit is the sound of wealth leaving the UK.
The poverty of sovereignty.
Schadenfreude is never wrong.